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In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects[20] including his designs for the Prada shops,[4] the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown. Please register for free through the link below to get or download and read the book Cape Dutch Houses and Other Old Favourites online. Pei (1983) Richard Meier (1984) Hans Hollein (1985) Gottfried Bhm (1986) Kenzo Tange (1987) Gordon Bunshaft and Oscar Niemeyer (1988) Frank Gehry (1989) Aldo Rossi (1990) Robert Venturi (1991) lvaro Siza Vieira (1992) Fumihiko Maki (1993) Christian de Portzamparc (1994) Tadao Ando (1995) Rafael Moneo (1996) Sverre Fehn (1997) Renzo Piano (1998) Norman Foster (1999) Rem Koolhaas (2000) Herzog & de Meuron (2001) Glenn Murcutt (2002) Jrn Utzon (2003) Zaha Hadid (2004) Thom Mayne (2005) Paulo Mendes da Rocha (2006) Richard Rogers (2007) Jean Nouvel (2008) Peter Zumthor (2009) Kazuyo Sejima and Ryue Nishizawa / SANAA (2010) Eduardo Souto de Moura (2011) Wang Shu (2012) Toyo Ito (2013) Shigeru Ban (2014) Frei Otto (2015) Alejandro Aravena (2016) . This was demonstrated in OMA's scheme for the development of "Euralille" (199094), a new centre for the city of Lille in France, a city returned to prominence by its position on the new rail route from Paris to London via the Channel Tunnel. ^ Astudillo, Tey-Marie (27 October 2011) Seoul's best museums. References[edit]. Recently,[when?] he has changed the organization of his office to a partnership.

Uh oh! Something went wrong. I didnt think there was a lot of creative life left in skyscrapers. At the moment Koolhaas' constructions sites are in China:[citation needed] the massive Central China Television Headquarters Building in Beijing, China, and the new building for the Shenzhen Stock Exchange, the equivalent of the NASDAQ in China. The part lexicon-type layout (with a marginal "dictionary" composed by Jennifer Sigler, who also edited the book) spawned a number of concepts that have become common in later architectural theory, in particular "Bigness": 'old' architectural principles (composition, scale, proportion, detail) no longer apply when a building acquires Bigness. Unlike other architects of his stature, such as Frank Gehry or Zaha Hadid, who have continued to refine their singular aesthetic visions over long careers, Koolhaas works like a conceptual artistable to draw on a seemingly endless reservoir of ideas. The magazine stands for a journalism which detects and anticipates, is proactive and even pre-emptive a journalism which uncovers potentialities, rather than covering done deals. Retrieved 18 May 2008. ^ "Anthonie Koolhaas".

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